July 30, 2020 – Attorney Don Passman literally wrote the book on the music business: “All You Need to Know About the Music Business.” Here we delve deeply into today’s deal landscape, as well as Don’s story, how he got to be one of the foremost lawyers in the music business. If you want to know about record deals, and publishing deals, and 360 deals and touring deals…this is the place!
DECEMBER 22, 2019 8:22AM PT
By JEM ASWAD
Reviewing music is a walk in the park compared with reviewing books, which must be the most time-consuming occupation in entertainment apart from being parents of budding baseball players. For a similar reason, this best-music-books-of-the-year list is hardly a definitive one — there was a veritable avalanche of them released this year, utterly hopeless to keep up with. So with apologies to some of these authors for tardiness (there are a couple of late 2018 titles in here) — and to Liz Phair, Hanif Abdurraqib and others whose books I’ve heard are great but have not read yet — here are The Best Music Books of 2019 That I Managed to Procure and Actually Finish Reading…
“All You Need to Know About the Music Business: 10th Edition” (by Donald Passman) — Ten editions in, this book, written by one of the industry’s most prominent and experienced attorneys, remains the single best one-stop for learning about the music business. Its very nature dictates that it’s hardly a page-turner, but Passman’s style is engaging and his expertise near-unimpeachable.
Revised Book Explains the Business of the Music Business
BOB RUGGIERO | NOVEMBER 21, 2019 | 4:00AM
All You Need to Know About the Music Business—Tenth Edition
By Donald S. Passman
528 pp.
$35
Simon & Schuster
So kid, ya think ya got some talent and ya wanna break into the music biz? Yer momma and all your Facebook Friends tell you your signing is tops and nobody plunks a piano key or pens musical poetry like you? Sure! Sign right here!
Oh, and by the way, I’m sure you’ve already picked out a personal manager, business manager, lawyer, agent, and PR team, right? And you know the difference between U.S. and foreign royalty configurations? Along with the meanings of phrases and business concepts like a controlled composition clause, deal points, double commissions, net tour take after deductions, advances against royalties, merchandising cuts, song copyright, and group provisions – just in case your bassist quits in a huff. You know all that, right?
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